Anders Jormin was born 1957 in Jönköping,
Sweden. After intense studies, he left Musikhögskolan
in Göteborg with diplomas in double-bass and
improvisation / pedagogy in 1979.
Today as a doublebass-player and
composer, AJ is a frequent and highly respected performer on
the international concert scene. As a musician in great
demand, AJ has recorded and toured with many of the legends
in jazz. Among others : Gilberto Gil, Lee Konitz, Elvin
Jones, Joe Henderson, Don Cherry, Charles Lloyd, Mike
Mainieri, Joe Lovano, and Jack deJohnette, as well as Kenny
Wheeler, Albert Mangelsdorff, Tomasz Stanko, Dino Saluzzi,
John Surman, John Taylor, Marilyn Mazur, Arve Henriksen,
Mark Feldman , Paul Motian, Joey Baron, Tom Rainey ,
Jon Balke, Vertavo string quartet , Ann-Sofi von Otter,
Norma Winstone and Marilyn Crispell.
For many years, AJ was also a front figure in one of
Scandinavias foremost ensembles, "Entra".
AJ today performs regularly all over Europe, USA/Canada,
and Japan, but has also for shorter periods performed and
studied ethnic music in Cuba and Mocambique. At the present
AJ is a member of Bobo Stenson trio, and the unique swedish
group "dr Dingo". AJ is also constantly creating new
projects of his own, highly appreciating challenging work on
local and national level as well as his international
obligations. AJ is an "ECM recording artist".
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In Sweden, AJ has been given several prizes and awards,
such as the rare "Jan Johanssson - award", the
Swedish radio prize Guldkatten and The Royal academy of music´s Big
prize. His solobass
recording "Alone" won "Record of the year - all categories
worldwide" in 1991. He is four times winner of the swedish
"Grammy" - award for best jazz recording.
On a part - time basis, AJ has for almost 30 years been a
teacher of doublebass and improvisation at
Musikhögskolan in Göteborg (School of music and
drama/ Gothenburg university) , where he has initiated and
participated in building up a strong and leading improvised
music department. AJ is also a lecturer much in demand at
clinics, master-classes and workshops all over Europe. 1995
AJ was given a professorship at Sibelius Academy in
Helsinki, Finland. 2002 he was given a professorship also at
Högskolan för scen och musik in Sweden.
2003
Anders Jormin was given an honorary doctorate- the title "doctor
honoris causa"- together with Esa-Pekka Salonen and Georg Sokolov, at
Sibelius-academy, Finland. AJ is, as the first contemporary improviser
ever, a member of the swedish Royal Academy of music, and, since 2009,
also a member of its executive board. In Sweden.
AJ has recorded around 80 CD/ LP's. As a leader he has,
so far, released twelve albums featuring his compositions and
arrangements. (See the selected
discography)
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reviews
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"The sound he gets, the fills he executes, his
soloing ability in and out of chord changes is
amazing. For me he is one of the world´s
greatest bassists."
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(Dave Liebman, Hunters and
Gatherers)
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"Jormin is a treasure - everything a bassist
should be"
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(Down beat, USA)
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"Formidable Jormin´s mastery came through
in his solointroductions. He is one of the finest
living jazzbassists, whose instrumental command and
intonation are so seamless, he makes it look easier
than it is. He is a virtuoso, but deep, natural
musicality prevents him from grandstanding".
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(Los Angeles Times )
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On his CD
"Silvae":
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"Anders Jormin is, both as a composer and
soloist, a magician of absolute
worldclass......What a constellation! This piece of
art sounds fantastic! Brilliant music."
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(OJ, Sweden)
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"Anders Jormin who must be counted among the
most interesting jazz bassists in the world
continues introducing us to his incredibly strong
compositions and studio groups ....... "Silvae"
is Jormin's finest album to date, clearly a
bullseye!"
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(Soundi, Finland)
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On his CD "Xieyi"
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"To enjoy Xieyi is to stay in a musical garden
of zen"
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(Dagens nyheter,Sweden)
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"Jormin relies on a perfectly honed melodic
sense and an impassioned, lyrical approach to solo
bass language that relies as much on folk and
classical influence as it does on jazz. His
technique, though impressive, is never allowed to
grandstand and is completely at the service of the
music (though there are occasions when the listener
is led to wonder exactly how many hands he
posseses). It´s the warm, dark song of
Jormin´s bass thats at the heart of this
impressive and rewarding release. "
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( BBC Music, England)
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" A feat- nothing less"
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(Gramophone/Korea)
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On his CD "In winds, in
light"
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"Jormin´s pure pursuit of musicality and
art places substance far ahead of style. This
hour-long performance transcends definition- it is
music to be felt, to be experienced, and to be
absorbed as a whole. Compelling, provocative and
evocative, with "In winds, in light" Jormin
asserts that music should not be about technical
prowess, rather it is about taking extra-ordinary
ability and creating something deeply personal and
spiritually moving"
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(Allaboutjazz /USA)
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"You come to think of such major and important
works as John Coltrane´s "A Love Supreme" or
the "Sacred concert´s" by Duke Ellington. With
"In winds, in light", Anders Jormin brings another
major piece that adds a european dimension to this
tradition."
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(Der Bund/ Switzerland)
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On his CD "AVIAJA"
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"While he possesses the kind of technical
facility that makes most bassists scratch their
head in wonder, Jormin has always been more
concerned with making his instrument sing, and
playing music that touches the heart in the most
personal of ways. Aviaja´s intimacy is so
personal that it almost feels like intruding on a
private conversation.... Aviaja remains vivid long
after the final song is over."
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(Allaboutjazz,
USA)
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On his CD "Ad Lucem" |
Anders Jormin continues to impress and Ad Lucem reinvents the more
contemporary ideas of the modern song cycle into a vastly different and
far more creative realm than what has previously been attempted. A
stirring work of great depth and subtle character.
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(Critical Jazz) |
Ad Lucem remains defined by Jormin—one of but a very few players of
this low register instrument who can truly make a bass sing.
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(Allaboutjazz) |
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